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http://theses.gla.ac.uk/318/
This work will examine the various forms of symbolism and iconography in jewellery from ancient Greece and Rome. It sets out to elucidate and place into the appropriate cultural context the motifs represented in jewellery from these civilisations. The work is largely divided into three parts. The first part, itself divided into sections dedicated to Greece (with Etruria as an afterthought) and Rome respectively, discusses the symbolism and iconography …
http://theses.gla.ac.uk/318/2/2007pinckernellemphil.pdf
K. Pinckernelle, ‘The Iconography of Ancient Greek and Roman Jewellery’ University of Glasgow, History of Art Department, November 2007 8 As will be seen, ancient jewellery is neither simply decorative nor only concerned about status, nor purely serving as an amulet.4 Ancient civilisations tended to put greater emphasis on the amuletic purpose than
https://www.semanticscholar.org/paper/The-iconography-of-ancient-Greek-and-Roman-Pinckernelle/cffc3cbd61fb5e3e98ac8fb5b265b2beecf2399c
Published2007. Art. This work will examine the various forms of symbolism and iconography in jewellery from ancient Greece and Rome. It sets out to elucidate and place into the appropriate cultural context the motifs represented in jewellery from these civilisations. The …
https://www.scribd.com/document/292158243/The-Iconography-of-Ancient-Greek-and-Roman-Jewellery-by-Kathia-Pinckernelle
K. Pinckernelle, The Iconography of Ancient Greek and Roman Jewellery plate 85) and as well as wild animals such as lion, serpent or bulls are popular motifs belonging to the first category, whereas the phallus and, rather rarely, the female sex (alluded to in the representation of cowrie shells, cf. plate 87) belong to the latter.
https://www.historyoftheancientworld.com/2010/07/the-iconography-of-ancient-greek-and-roman-jewellery/
Jul 08, 2010 · This work will examine the various forms of symbolism and iconography in jewellery from ancient Greece and Rome. It sets out to elucidate and place into the appropriate cultural context the motifs represented in jewellery from these civilisations. The work is largely divided into three parts.
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