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https://www.academia.edu/49198321/Adornment_and_Jewellery_as_a_Status_Symbol_in_Priestly_Representations_in_Roman_Palmyra_The_Palmyrene_Priests_and_their_Brooches
Adornment and Jewellery as a Status Symbol in Priestly Representations in Roman Palmyra: The Palmyrene Priests and their Brooches in: Heyn, M. K. & Raja, R. 2021. Individualizing the Dead: Attributes in Palmyrene Funerary Sculpture, Studies in Palmyrene Archaeology and History 3 (Turnhout: Brepols), 75-117, 2021, 2021
https://lateantiquesyria.wordpress.com/adornment-and-identity-in-palmyra/
The jewelry of Palmyra can be seen in three different phases, however some styles tend to come back or mix with another phase. In the first phase, around A.D. 150, jewelry was very minimal (Mackay 1949, 162-63). The common pieces that were depicted were a tiara, fibula, earrings and finger rings.Estimated Reading Time: 6 mins
https://virtual-museum-syria.org/palmyra/
The museum’s second floor comprises four main halls: the Palmyra mummification hall, the Qaser Al Heir hall, the hall for Palmyrene traditional and contemporary costumes and jewelry and the fourth showcasing a Palmyrene house.
https://en.wikipedia.org/wiki/Palmyrene_funerary_reliefs
Palmyrene funerary relief busts were first produced in Palmyra in the middle of the first century BC a decorative slabs closing the burial niches inside underground tombs. The reliefs were carved into square pieces of limestone and depicted figures in a direct frontal pose cut off at mid-torso.Estimated Reading Time: 8 mins
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