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https://www.ganoksin.com/article/mario-pinton-father/
Mario Pinton, brooch, 1995. Gold, ruby. One after the other, the movement leaders left the ‘Selvatico’.
https://magnusoculus.com/tag/mario-pinton/
Dec 02, 2020 · The Padua School under the unofficial leadership of Mario Pinton were at the vanguard of experimental gold smithery in the 1950s and 60s and like Decker, members such as Giampaolo Babetto were drawn to creating exploratory pieces that could be seen as both sculpture and jewellery with a minimalist sensibility.
https://www.pinterest.com/wluxjewellers/mario-pinton-1919-2008/
Apr 26, 2017 - Professor Mario Pinton, a great artist, jeweller and Nestor of the Paduan jewellery school. For Pinton, jewellery was a form of sculpture in a small scale. An understanding of geometry was fundamental to his designs. The jewellery of ancient and non-European cultures were inspiring him. He was director and professor jewellery at the Instituto Pietro Salvatico in Padua (Italy ...14 pins
https://www.preziosa.org/preziosa_2009/mario-pinton/
1954 Galleria La Chiocciola, Padua; 1956, Galleria Montenapoleone, Milan; 1967 Handwerkammer, Munich; 1979 Argentum Gallery, Stockholm;
https://www.pinterest.com/pin/523191681711185446/
Mar 4, 2019 - Firtz Falk was preparing the Dieci Orafi Padovani (Ten goldsmiths from Padua) exhibition and he realized that not only had these ten studied at the ‘Pietro Selvatico’ art school, under Mario Pinton, but they also shared other things.
https://lostinjewels.com/exhibitions/discovering-the-origins-of-contemporary-jewelry-rigore-e-liberta-exhibition/
Marino Marini taught Mario Pinton sculpture techniques at the Istituto Industrie Artistiche in Monza and this training couldn’t but influenced on the artistic reseach of the future goldsmith. He worked jewellery as a sculptor, sensitive to the expressive properties of gold, which was not associated with its preciousness, but its technical malleability and elasticity that earlier was so valuable for goldsmiths.
http://www.diagonalartprojects.com/tag/mario-pinton/
Sep 16, 2014 · Mario Pinton was born in 1919 and studied at Istituto Pietro Selvatico where he later became a teacher. He led the students to develop work that was individual and unique, focusing more on artistic expression than serial production. ... One of the main objectives of AGC is drawing attention to the value of the contemporary jewellery culture and ...
https://www.ganoksin.com/article/design-jewelry-cultural-elite/
by Roberto Chilleri. The first pages of contemporary Italian jewelry were written some half a century ago in Padua, by the enterprising pioneer: Mario Pinton. His traveling companions included talented artists, a few connoisseur gallery owners and several eager collectors. As in most countries, few jewelry artists manage to make a living just from their creativity.
https://www.nytimes.com/2018/11/20/fashion/jewelry-exhibition-italy.html
Nov 20, 2018 · PISTOIA, Italy — Postwar Italy, with a thriving art scene and its tradition of artisanship still robust, produced several of the late 20th century’s most influential jewelry artists. Now, a new...
https://www.nytimes.com/2008/05/02/style/02iht-rcajpad.1.12522749.html
May 02, 2008 · For Pinton, jewelry was a form of sculpture, albeit on a small scale, and an understanding of geometry was fundamental to its design. At the same time, his own pieces were informed by his profound...
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