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https://deborahaguado.com/for-purchase/
Not all of Aguado's jewelry is locked away in museums or private collections. Here are some exquisite examples of her work available for purchase. These one-of-a-kind hand-made works are not machine made therefore, all sizes are close, but, approximate. The rings shown here are made for a size 8 can have a custom insert made … Continue reading "For Purchase"
https://deborahaguado.com/a/
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https://deborahaguado.com/materials-used/
Cubic zirconia (CZ), a replacement for diamond was first used for the production of jewelry stones in 1976. On the hardness scale for stones, the genuine diamond is a 10 compared to a hardness ranging from 8 . 5 – 9 for CZ .
https://www.ganoksin.com/article/deborah-aguado-use-image-enigma-jewelry/
Deborah Aguado: Use of Image and Enigma in Jewelry. by Akiko Busch. Stone, metal and space compose the careful balance in Deborah Aguado’s work. Her first geometric formalisms constructed in metal were developed in 1973 when she participated in a goldsmithing seminar at the Akademie für Bildende Kunst in Salzburg, Austria.
https://americanart.si.edu/artist/deborah-aguado-36
Deborah Aguado’s father was an ironworker, and she became interested in working with metal at a very young age. She attended the Academy of Arts in Salzburg, where she received the State Honor Award in 1973.Her bold pieces of jewelry are primarily crafted from …Born: Jun 12, 1939
https://deborahaguado.com/lapidary-journal/
Deborah Aguado Jewelry Lapidary Journal March 1986 An imaginative goldsmith designs jewelry using the gemsof an equally imaginative stone cutter with vivid and singular results. BY MERLE BERK • Managing Editor Deborah Aguado is a goldsmith and jewelry designer with very particular ideas about design and construction. She is forthright in describing her art and …
https://deborahaguado.com/reviews/metalsmith-magazine/
Deborah Aguado A Perceptualist’s Use of Image and Enigma in Jewelry by Akiko Busch Metalsmith,Winter 1984 Stone, metal and space compose the careful balance in Deborah Aguado’s work Her first geometric formalisms constructed in metal were developed in 1973 when she participated in a goldsmithing seminar at the Akademie fur Bildende Kunst in Salzburg, Austria.
https://deborahaguado.com/awards-2/
1991, 1985, New York Foundation for the Arts, Fellowship Recipient, Visual Arts 1988, September, German Ministry of Culture Artist-In-Residence “Kunsterhaus-Edenkoben” Rhineland Pfalz, Germany 1978-1979, National Endowment for the Arts, Recipient, Craftsmen Fellowship Visual Arts Program 1973, 1975, Ehrenpreis Der Stadt, Salzburg, Austria (Honor Award, Goldsmithing Seminar) 1974, Purchase ...
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