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https://museumca.org/collection/margaret-de-patta-jewelry
Studio jewelry pioneer Margaret De Patta blended Constructivist principals with Bauhaus design to create miniature sculpture that moved with its wearer. Based in the Bay Area, De Patta is credited with starting the American studio jewelry movement on the West Coast. OMCA holds the largest collection of De Patta’s work, most of which was donated by her husband Eugene Bielawski after the ...
https://artjewelryforum.org/articles/transcendent-jewelry-margaret-de-patta-vision-motion
Jun 05, 2012 · De Patta’s jewelry embodies the concept of ‘vision in motion’ as championed by the legendary Bauhaus visionary, Hungarian-born László Moholy-Nagy. Margaret Strong was born in Tacoma, Washington in 1903 and the family soon moved to San Diego. In the 1920s, De Patta studied painting in San Francisco and at New York’s Art Students League.
https://www.etsy.com/market/margaret_de_patta
The Jewelry Of Margaret De Patta, A Retrospective Exhibition 1976. Moderndesign20. From shop Moderndesign20. 5 out of 5 stars. (363) 363 reviews. $40.00 FREE shipping. Favorite. Add to.
https://www.craftcouncil.org/post/groundbreaking-jeweler-margaret-de-patta
May 01, 2012 · Jewelry artist Margaret De Patta (1903-1964) was a product of her time – influenced by the Bauhaus school, constructivism, and democratic ideals. But she was also ahead of her time: She yearned to make sophisticated jewelry for the general public, but she couldn’t make the business model work. Her spirit, marriage, and finances flagging, De ...
https://www.etsy.com/market/de_patta
The Jewelry Of Margaret De Patta, A Retrospective Exhibition 1976. Moderndesign20. 5 out of 5 stars. (382) $40.00 FREE shipping. Only 1 available and it's in 1 person's cart. Add to Favorites.
https://www.ganoksin.com/article/margaret-de-patta-jewelry-ever-increasing-minority/
Margaret De Patta, Ring, white gold and rutilated quartz crystal, 1949. Photo: courtesy Eugene Bielawski. Goods are purchased on the basis of previous sales-automatically continuing the life of the old and excluding the presentation of the new. The purchaser’s taste is thus conditioned by the choice between one conventional design and another ...
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